Thursday, September 20, 2012

What is Spoken Word?


Spoken word is an art form that has long been present in human society. Oral traditions in cultures predate the written word, and poems, or a type of spoken singing or stories, sometimes accompanied by music, held captive many an audience far before the first book was ever written. Even when books became available, troubadours and balladeers often spoke stories of adventure, romance, tragedy and comedy to wide audiences, since reading was not a common accomplishment.

Today, spoken word refers to two separate art forms. One is entirely based on recorded spoken word, such as the reading of novels or the recitation of poetry that supplies us with the modern “books on tape.” The art form in its second definition refers to those events when poets, and sometimes comedians or social commentators recite or invent on the spot poems, commentary, jokes, and the like as a performance piece intended for an audience. The latter type arises from the oral traditions long held in numerous cultures.

Songs did replace speaking stories or poems, but in the Beat Poetry movement, interest in performing poetry and other writings held sway over poetry fans. Typically beat poets, not necessarily the famous ones, would recite their poems with music playing in the background. Emphasis however was more on the words than the music, though the poet might time phrasing to coincide with certain parts of musical performance. Music could be live or recorded depending upon the poet.
This tradition led to a little mockery, and some contend participants and fans took it too seriously. Certainly as with all genres of poetry, there were some bad poems written and performed. There were also some very valuable ones, and poets that grew out of the Beat Generation, include Mayo Angelou, who critics cite as being one of the most skilled at reciting her work, since her rich voice and phrasing lend resonance and depth to her work.

Spoken word had few adherents by the mid 1970s, but interest in the form reemerged in the 1980s. Part of this was caused by the variant of spoken word performance in hip-hop and rap. Much of what rap artists did was perform poetry with a musical background, and with specific types of phrasing and resonance. Music fans and literary analysts alike evaluated and continue to evaluate the poetry of many rap artists, and call a number of these artists intensely important contributors to the world of poetry.

The beat type spoken word, often set to jazz instead, and sometimes including other performance aspects like slides or pictures, reemerged as a popular form along with rap. Another outgrowth of spoken word was slam poetry, where poets competed against each other, often extemporaneously. Slam poetry has its roots in Japanese contests of this type, such as the beginning and end of waka, a poetic form that existed in the 10th century.

In another sense though, spoken word doesn’t necessarily involve poetry, and has never gone out of style. It can be the recitation of stories, a solo comedic act, or the performance of a storyteller. There are no hard and fast rules for the art form, which is why you will find many different names associated with the form. 







Wednesday, September 19, 2012

Advice for aspiring writers (The Write Stuff)




Poet Lemn Sissay and author Tiffany Murray on being creative, the challenges of financing a creative career and advice for aspiring writers.


Starting out as a writer


Lemn Sissay

"I always wrote poetry, and so I got involved in the literary world because I was born a poet.
"Confidence is something that builds. You have to use a certain amount of intuition. Is this really what you want to do? Why do you want to do it? I write because I can't not write. Each step makes you more confident about the direction you're going in. It doesn't necessarily get any easier."


Tiffany Murray

"I came to writing quite later on in life. I started off as an actress, I tried to be an actress for four years in London. Then I moved to New York to study an academic PhD. It was within that, that I realised academic writing wasn't my voice, wasn't for me. That's when I began to write.
"I didn't just sit there and think 'Oh well, that's it, I'm going to be a writer and I believe in myself'. No, I applied to University of East Anglia and I did the MA and PhD there. That was my apprenticeship.”

Financing a writing career


Tiffany Murray

"I am a senior lecturer and that's what pays my bills. The Society of Authors will give a sum, the average yearly earning for a writer, and mine is about that. But I'm only two novels in. Once I have five novels, then perhaps that's something I can sit back on.
Average annual earnings of a writer: £16,531, Authors’ Licensing and Collecting Society, 2008
“But also there's the other side of that. It’s not 'Oh, I have to have another job and isn't it awful?' I think it's important to have another job.
"I worked with a poet recently and he said other friends of his who were poets and they stopped working, they just had the poetry and that was it, their work suffered. You need something to react against. You can't write all day, you'll go crazy, you need to engage with the world.
"It is about realising how much hard work is involved. It could happen with a first book, there are those stories out there. I know people, first book, sold the film rights, sold it across the world, lovely.
"But there's a difference between wanting that and wanting a career that lasts until you die. You can write until you're 94 if you're lucky enough to get that far. It's a daily routine."


Lemn Sissay

"You can be a doctor and a poet. You can be a teacher and a poet. You can be a builder and a poet. Don't think that just because you have chosen a particular career path that you do not have to develop your creative side.
“Develop your creative side as well as becoming a doctor. You don't have to sacrifice one for the other. And what you'll find is that later on in life or at some magical point, the two will meet, and the creativity that you employ will benefit you as a doctor, as a lawyer, as a teacher, as a mother, as a friend."


Advice for a writing career


TIffany Murray

"I would say focus on the work first. Don't talk about it, do it. I know that sounds terribly schoolmarm-ish. Do a writing course, join a writing group, if you so wish, but don't overdose on that. People need that as a crutch and I think that they do overdose a little too much, so focus on the work.
"Take in everything. Schlocky TV, schlocky movies, beautiful high art movies, very very long French films that seem to have no plot but look pretty. Take it all in. I don't believe in high art, low art. It's all something that's going to be digested by you somehow, and everything is worthwhile. And also go for walks. I couldn't write unless I went for a walk every day."


Lemn Sissay

"Don't think that, just because you have chosen a particular career path, you do not have to develop your creative side."
"You have to dedicate time to learning about the industry and your own creative processes. And dedicating time means going to workshops, means presenting your work, means being criticised and developing critique. These things don't just fall out of the sky, you have to go and look for them.
“Practical places you could look are you local regional arts board. Every area has a regional arts board, they will have lists of writers' workshops within your area. You have to go to those workshops, you have to meet strangers, you have to face your fears if you're going to get involved in this industry.
“And it's facing the fears which builds your confidence. You can sit in your own little room saying you're a great writer and you're an artist and an inspiration, but not engage. You must engage, and there are practical ways to do that.
"Society often tries to account for us in very structural ways, and treats the anarchy of creativity as if it is some foreigner. Whereas actually it's the reason that structure gets built, that we are all expressive by our natures. It's a beautiful thing.".


The Emperor's Butterfly Maker


poem by Lemn Sissay


I work at the butterfly-making factory on Butter Lane,
in a town called Flower, near a city called Sun.
Every single day I stick on their wings.
Their wings sound like cats purring as they lilt and loop away.
Maybe I'll try the wings myself one day.

Monday, September 17, 2012

When words make love...............!!!!!




Poetry is like love making
where the ink and paper engage in deep kissing,
the mind goes back and forth thrusting
and fingers hold the paper lovingly and like its caressing.


Can I use words to caress,
with no regrets?
Can I pierce u with words,
sharp like the tip of a samurai’s sword?




I wonder if I can use words to do a little intellectual love making
with no heart breaking
no tears falling
and no orgasm faking.




I wonder if I can tease and please with words
words that strike hearts’ chords,
that makes the robe come untied,
the mind becomes unbind,
and as the room is cosy,
bodies start to get busy.


Words are as cool and sweet like honey,
capable of making u feel, warm, comfortable and funny.

I can use words to make love with your mind,
put ur mind in a bind,
make u concentrate and appreciate,
ready and willing to come close and demonstrate.


Words,
that’s all I have
and its all I need.



By Olulu, (the King not from Zulu)




Pixs of Chill and Relax (September to Remember) an open mic Performance Poetry and Spoken Word Event





Chill and Relax (September to Remember)
an open mic 
Performance Poetry, Spoken Word 
and 
Soul Music Event 
held on September 9, 2012 in Gbagada, Lagos. 

Below are some of the pixs of the event.





Don Fabrino, Olulu and Yemi


Atilola displaying her Poetic Skills


Bob Ekat, Shola, a friend and Efe Paul


Yommy Bishop in action



Mercy Njoku clapping in poetic delight



from right to left
Ndukew Onuoha, Don Fabrino and Soonest



Efe Paul doing a poetic piece titled In Dignity We Labour.


Don Fabrino and Angelo




























click on Read More to view more pixs

Saturday, September 15, 2012

BABA GOD.....!!!!!!



Baba God dey always ginger my swagger,
and He no dey ever play me for maga.
Anytime I enter danger,
He send His angels with flaming daggers,
and all enemies scamper and take cover.


Baba God is a faithful loving father,
my very own strong tower,
that always keep me in His radar,
and ever willing to bless, pamper and prosper.





Baba God no dey quick to vex,
even when I insist say wetin I want I must get,
and if after I get am finish I fall into mess.
I go just approach am to repent
and show say I truly regret.
Baba God go draw me to His chest,
dry my tears,
and forgive and forget.








Baba God dey always fill my life with sweet sensation,
by giving me His undivided attention,
and directing me to fulfil His purpose and intention. 
Baba God dey always ensure I dey in His divine protection,
and He dey shower me with favour, success and promotion. 



Baba God just dey rock my world,
well, after all,
the earth is the Lord's and the fullness thereof,
the world and the people therein.
Baba God, carry go jor, na U biko, no shaking!!!



by Olulu

How to Get Started with Spoken Word Poetry




Some Background Information

People spoke poetry long before they began to write it. Audiences have judged the poet’s performance for just as long. Spoken word poetry competitions have taken many forms in many places across the world for thousands of years. Today spoken word poetry is most commonly experienced in competitions call Poetry Slams. The first Poetry Slam was held in 1986 in Chicago. Since then these competitions have spread throughout the world. Although spoken word poetry is performed and enjoyed in noncompetitive venues, the Slams have had a large effect on the way spoken word poetry is written and performed.
Slam poems must be performed in 3 minutes or less and the performer must read a poem he or she has written. Today, most spoken word poetry conforms to these standards. The other Slam rule is that no props or costumes may be used. This rule is not always followed outside of Slams. While some poets feel costumes and props distract from the poetry others feel they enhance the poetry and use them in performances that are strictly for entertainment purposes. Likewise, outside of Poetry Slams background music and sound effects are sometimes employed.

Do Your Research

If you haven’t experienced much spoken word poetry, you should begin with some research. Watch YouTube videos of spoken word performances, read published spoken word poems, and most importantly find spoken word performances in your area and attend them. The National Poetry Slam website (www.PoetrySlam.com) has a search feature for finding poetry slams but Google works just as well for finding poetry events in your area. Many universities host spoken word performances and spoken word poets often perform in local bars and coffee houses on open mic nights. Watch the poets. Meet the poets. Talk to the poets. The best way to learn about spoken word is to experience it.


Practice! Practice! Practice!

Think of spoken word poetry as a two part project: the writing and the performance. These parts are equally important and although you might be more drawn to one than the other neither should be ignored. There is no limit on the number of poems you can write or the number of times you can perform them, so get started early and practice regularly. Information can only take you so far, skill must be built through practice. The following sections consist of tips for beginning spoken word poets to keep in mind as they start practicing.

Tips for Writing Spoken Word Poems
  • Do write your poem. Literally, write it down. On paper. Use line breaks, use indentations, and use punctuation. Make the poem look the way you want it to sound.
  • Do use poetic sounds (rhyme, assonance, alliteration…, ect.) but don't feel compelled to adhere to a particular structure. Most spoken word poetry is free verse.
  • Do remember all of the elements that make poetry strong and affective (such as sensory details, vivid imagery, conflict, and purpose). They still work and should be employed.
  • Do consider the speaker (or main character) of your poem and whether or not you will be able to perform in his or her voice, but don't be afraid to push yourself.
  • Do consider the length of your poem. Keeping it around three minutes when read aloud is a good rule of thumb, although you might want to start with shorter poems.

Tips for Performing Spoken Word Poems
  • Do memorize your poem. The performance is always stronger when you know what’s coming next and don’t have to look at a piece of paper.
  • Do look at your audience, but don't be distracted by them. Focusing on a spot in the back of the room, just above the top of your audience, can help with this.
  • Do speak loud enough to be heard but don't shout everything. This is a common mistake. Vary the volume and tone of your voice.
  • Do perform with emotion and passion but don't go over the top, unless you are intentionally conveying silly or overly dramatic behavior.
  • Do be aware of your facial expressions and body language. You want to use them to deliver a complete performance, but don't fidget or jump around without purpose.
  • Do practice. Practice in front of a mirror, in front of friends, family, and anyone who will pay attention. Then sign up for an open mic or open slam. Repeat this process with every poem.

Links About Spoken Word Poetry

http://mssally.hubpages.com/hub/Getting-Started-with-Spoken-Word-Poetry

by Ms.Sally




Thursday, September 13, 2012

UNCHAINED VOICES: The TV recording of Naija's finest Spoken Word Poets on stage with a live audience.






UNCHAINED VOICES: 
The TV recording of Naija's finest Spoken Word Poets on stage with a live audience. 
Date is Sept 16, 2012 
Venue is House of Makeda, 
No. 7 Manuwa Street off Keffi street 
off Awolowo Road Ikoyi, Lagos, Nigeria. 
Time is 2pm
The best part is that, 
AUDIENCE PARTICIPATION IS FREE!!!!


NAIJA GOT TALENT!!!!! Our Case Studies: a 13 year old Spoken Word Poet and a Soul Singer on the rise.

His name is "Increase," he performed at the last 
Chill and Relax (September to Remember) 
Performance Poetry and Spoken Word Open Mic show. 
He is 13 years of age, yet his poems (yes, poems, he did 2), are matured and very deep. 
We had to ask if he wrote the poems and how he came about the such deep poems. 
He said, I read the magazine inside the "Guardian Newspapers."
Why am I thrilled? 
Well, watch his video below and leave your comments.


















Increase, the 13 year old poet doing a poetic piece titled, "the power of one," at the last Chill and Relax (September to Remember) on September 9, 2012 in Gbagada, Lagos. Chill and Relax is a monthly Performance Poetry, Spoken Word and Soul Music Event.

Watch out for this young Spoken Word Poet, cos big things are GWAN!!!!




His name is Lumynos, he performed at  
Chill and Relax (August Gusto) 
Performance Poetry and Spoken Word Open Mic show. 
He sings so well and so nice, and definitely one for the future.
Watch his video below and lets know what you think.





Lumynos singing a song titled "Trust" at Chill and Relax (August Gusto) on August 19, 2012 in Gbagada, Lagos. Chill and Relax is a monthly Performance Poetry, Spoken Word and Soul Music Event.

Watch out for this Soul Singer, he can only get BETTER!!!!




Why Hasn't Spoken Word Found Its' Way into Mainstream Media? by EMichele Paul



Spoken Word is the art of performing poetry aloud. Poets, storytellers, and lyricists, have performed spoken word for centuries. Within the last 50 years, the art form has been "reformed" by poets such as Allen Ginsburg, Jewel, Saul Williams, Talib Kweli, Mos Def, Shihan, Jill Scott, Common, Rudy Francisco, plus many others. You can find hundreds of poetry venues across the world on any given night. The audience can range from a few locals gathering together at a favorite coffee shop to a university event with over 300 people in attendance. There are even places that our military poets can go to and perform poetry while serving in overseas duty stations and in combat zones. Spoken Word is worldwide and very popular however, it has yet to make its' way into nationally syndicated television and radio stations.

Spoken word artists are reputable artists with a huge Indie following. An example would be "Shihan", an HBO Def Jam poet. He has sold over 14,000 CDs nationwide while touring and performing his poetry. As popular as the art form is, it has yet to earn its' place on a nationally recognized awards show or radio chart due to the lack of attention that it is given in the media. Yet, Soulja Boy and Waka Flaka are hyped up on radio stations across the country. When I listen to what mainstream considers good entertainment, my reaction is "Waka Flaka!!!" (censored).

Spoken Word can be found everywhere. You see and hear spoken word on television commercials and shows, Internet radio, viral videos, radio jingles, movies, and even in music. However, radio and television refuse to promote the genre, its' artists, or recognize it as a very influential and positive part of our American society. As a result, spoken word artists, even though they are more talented than most of the artists that pollute our airwaves, have to work ten times harder to make any profit from their craft. The profit being made by spoken word artists does not come from any form of mainstream media promotions. Artist sell their work by booking themselves on tours across the country, promoting their CDs, books and DVDs on their own websites, on-line stores, social networking sites for artists, and by performing at colleges and universities. Many times, the artists that go on these tours, pay for travel and other expenses, out of pocket. The money that they make will be just enough to cover their travel expenses.

Despite the lack of attention the major media moguls give spoken word, there is still a huge demand for it. This is evident in the quantity and quality of the crowds that venues pull during spoken word events. However, most radio stations refuse to play spoken word CDs because it is a niche genre and it doesn't appeal to the majority of their audiences. As a result, poets have to go "underground" to sell their work. The success of the artists selling his or her product is based primarily on his or her performance during the show. Once the artist leaves the show, there may be a buzz going around the community for a few days through word of mouth, but without constant airplay or visibility, the artist will have to wait until he or she makes another appearance to that city, before they can expect to make any more sales.

HBO Def Poetry Jam was the first weekly major spoken word program aired on cable television. Millions tuned in to watch each episode (a total of 6 seasons) and it was extremely successful. It sold DVDs of all of its' seasons and although the show no longer airs, the DVDs are still being sold. Many of the poets are still performing spoken word in addition to hosting spoken word events in their neighborhoods while others have moved on to other forms of entertainment but they are still deeply rooted in poetry. Poets give the HBO Def Poetry Jam credit for bringing this form of entertainment into the homes of an entirely new audience.

Up until HBO Def Poetry Jam came on the air, many people didn't have any idea what spoken word was about. Just like Russell Simmons took a chance and created a phenomenon, Russ Parr, Steve Harvey, or one of the other nationally renowned radio disc jockeys can do the same on radio. Millions of listeners turn on the radio throughout the day. The radio is played at work, home, school, in the car, on mobile phones, and even on cable stations. You can not escape radio. Rap and hip hop (both are rooted in poetry) were made popular because of radio however radio disk jockeys refuse to give any attention to spoken word.

Another question that should be raised is about the lack of attention given to Spoken Word at music award shows, ie the Grammys. Seriously, maybe half-witted entertainment without substance should be saluted and shown favor over things like values, morals, and education, nowadays. Maybe if spoken word was give more attention, our children would aspire to be something more than bling wearing, Ciroc drinking, thug wanna be's with video vixen girlfriends. Maybe our children would know that if most of these mainstream artists had even half of the "brain" that they claim to have, that they would know that spending more time in jail than in your community giving back doesn't doesn't make you cool, it makes you unemployable...and stupid!

With all of the "hype" about how music has taken a drastic turn for the worse over the last 20 years, bringing indie spoken word artists to mainstream media could possibly help reshape our mainstream form of entertainment and give us that breath of fresh air that we hope to sigh when we turn on our favorite radio station. If we as a nation are going "green" to help preserve our atmosphere, maybe we can include the way we choose to entertain ourselves as another way to protect the air...waves!



by EMichele Paul



EMichele Paul - Poet, author, activist, mentor and founder of PoeticWorks. She has been writing poetry for over two decades and performing spoken word since 2005. Her sultry voice is soothing, flexible and warm. Her inspiring words are powerful, compelling and refreshing. She has a very unique style of story telling which shows throughout her poetry. She makes you exam life from different perspectives. She also dares you to test your left and right lateral limits while giving you the courage to define your own self worth.

Please do check out her blog at http://emichelepaul.blogspot.com/




Wednesday, September 12, 2012

I REBEL


I love to see things change
But I hate to take steps toward change
Then, I recall the words of Isaac Newton “All objects remain in a state of rest/motion until a force is applied”
But who will apply the necessary force
To create my desired change
While I maintain total supremacy over my domain
 
Fear will not let me give in to external intervention or intrusion
Fear that my secrets will be unfolded
Fear that my weaknesses be discovered
Fear that I might be an unpronounced fugitive
Fear that my sacred domain be conquered
And another take my throne
Fear of the unknown
 
Oh! How fear has cunningly taken over
The rulership of my own life from me
Oh! That I could once again be in control
That I could once again make sand castles
But this time castles that could house men
That I could once again run with the wind
And soar like the eagle
 
My greatest enemy to change resides within me
And it is my own fear
As the yorubas’ will say
“The weevils that destroy the beanstalk live within the beanstalk”
The fear I procured with my hard-earned resources
The fear I dedicated so much time to nurture
 
But, this day I rebel against this siege
By an army that once I paid taxes to
And helped grow her empire in my heart
Today, I rebel against this subtle tyrant called fear
I refuse to be held under willingly again
I refuse to corporate with this virus called fear
That does more harm than the dreaded HIV
 
I will build castles in the air and
Watch God put pillars under them
I will dream the impossible and do the unimaginable
I will be what the world says I cannot
I will dream like Joseph and
One day control Pharoah’s empire
 
It does not hurt to dream neither does it to try
I will dream without limits
And attempt beyond my arms length
Perhaps, God will see a young man that needs aid
 
Fear, I will subdue and conquer
Through repeated trials
Fear, I will rule over and
Help other men gain control of their own domains once again
 
And then we will reign as Kings and Priests
That our creator ordained us to be
 

by
Tobi Ajibawo